(NOTE…So far, I’ve never gone to a concert with a plan to review it. In retrospect when thoughts start mulling along with questions and the urge to look things up, they are often followed by writing stuff down. That’s all this is. I went to a concert and now I’m writing stuff down.)
We enjoyed a live performance of California Guitar Trio in Concert here in Houston last night at McGonigel’s Mucky Duck.
“SHORT SUMMARY”
(for those who like to read to the end and skip the Opinions and Technical Stuff in the middle)
If you enjoy live music, CGT is worth checking out! It’s instrumental guitar music, as you might expect. They do a mix of recognizable covers – both popular and classical – as well as original tunes, and you do not have to be a musician yourself to find it entertaining and engaging.

California Guitar Trio
“OPINIONS AND TECHNICAL STUFF”
Having become aware of the group previously, their Christmas CD recently crossed my path and I downloaded it a few months ago. It was interesting enough to get me on their website where I found out about this concert and bought tickets.
Here’s what caught my ear: the guitars sound different. There is processing and use of effects, but that wasn’t it. My husband insisted there was a harpsichord on the recording, but I was pretty sure that wasn’t it, either.
The sound wasn’t like guitars in standard tuning. The range was all over the place. So, it had to be either alternate tunings or a mixture of standard guitar with soprano or ‘high-strung’ guitar. Or something.
I read enough to know that they all studied with Robert Fripp (can’t say I know very much about him, either) and that he encouraged experimentation with tuning and with sound processing.
So, that was it for knowledge of the group beforehand.
Here are some of the tunes they performed with any opinions or technical commentary, as applicable:
Walk, Don’t Run
Sleepwalk
These two and the next one, as well, go into the ‘Cover Tunes’ category
All immediately recognizable to baby-boomers who, by the way, comprised most of the audience. They were all-well played and pretty straightforward.
Bohemian Rhapsody
Near the start of this one, the mic was turned toward the audience by one of the Trio members. So, everyone started singing. Except me. I never listened much to Queen….So, I felt a little left out. I guess you enjoy it more if you know it. My 12-year old student who was with us was excited – he said he’s very familiar with Queen.
Andromeda
Chacarera
The Marsh
Melrose Avenue
These are all CGT originals. The first two appear on their 20th Anniversary Celebration CD “Andromeda” which was released in 2010 and is their first release containing all originals.
Regarding Melrose Avenue – It has recently been arranged by a guy from Houston and will soon be available to tens of thousands of orchestra directors in the US and Europe. We were instructed to tell all of our friends. Done!
Toccata and Fugue in D minor (JS Bach)
This one’s a ‘Classical Cover Tune’ that was preceded by a story that Bach used to play it as a sort of sound-check to test the organs where he played and that he really ‘cranked it up’ (as much as you could in the 1700′s, I guess…)
Prelude (from the PFA, BWV998)
Note: it was introduced as “a Prelude by Bach.”
It was also explained that Robert Fripp had his students practice something called “Circulation” and this piece was done in that fashion.
‘Circulation’ involves playing a note and then passing it to the next person in the circle. Fripp taught that you also passed your ‘energy’ with your note be it positive or tension-filled.
So, for this piece, the first player begins w/ the first note, the next guy plays the second note and on it goes, to the end. The time signature is 9/8 and there are only 8th notes throughout, so that meant it was consistently 1-2-3, 1-2-3 with no pause.
They stated also that, depending on how things went, it could be…unpredictable. As in ‘let’s see how this goes.’
Which made this the MOST INTERESTING thing in the entire concert to me. Now I want to apply this technique with all of my guitar ensemble classes, and will be reading up for more information. I see in my internet searches today more reference to CGT pieces based on ‘circulation’ and will be checking them out.
Immediately following the Bach piece, Bert (player #1) tossed another note, circulation-style, to Paul who tossed it to Hideyo …. and the next thing you knew it became -
Echoes (Pink Floyd)
Which is another tune I also do not know and had never heard, but my table-mates were familiar with it. And loved their rendition of it.
Encore Pieces -
Ghost Riders in the Sky / Riders on the Storm
Happy Trails
Since there were two shows and we were at the early one, I appreciated the fact that they dispensed with the usual walking on and off the stage while we applauded for them to return and said they would just save the time and give us the encores.
That was nice.
(By the way – most, if not all, of these pieces are available on YouTube. Many have been posted by trio member Paul Rich at this channel. )
CONCLUSION (of my opinions and technical stuff)
The range of the guitars was obviously higher than standard tuning. And lower. Among all three players, there was never anything that looked like a standard chord shape to me. I learned after the concert that the tuning (referred to as “New Standard Tuning” is mostly in 5ths. From low-to-high it’s C G D A E G. Which explains the extra-low notes I kept hearing as well as the extended range above.
Very interesting and surely produced some unusual but nice sonic differences. What if all guitars really did play like that and there was a repertoire for that extended range? Maybe there is and it’s just that it’s all passed me by until now. Kind of like Queen and Pink Floyd. ha.
There were lots of stories about studying with Robert Fripp and they were all interesting. There was also a range of effects applied including slide playing and distortion. While it’s pretty typical to use a slide on an acoustic, I wouldn’t have thought applying distortion would sound as smooth on a jazz solo or rock solo, but it did. And there was no feedback. Nice.
I’ve seen lots of jazz guitar concerts. I’ve also seen lots of classical guitar concerts. But I haven’t been to a lot of concerts like this one. These are all good players, the originals were innovative and harmonically interesting. On the surface, one might say jazz and classical guitarists are more serious. But if you did, then you would have to say this group is more fun.
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